<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Fri, 01 Jun 2012 12:51:33 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Journal</title><link>http://www.aliceboyle.co.uk/journal/</link><description></description><lastBuildDate>Sun, 22 May 2011 17:31:56 +0000</lastBuildDate><copyright></copyright><language>en-GB</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Dorothea Tanning - born August 25, 1910</title><dc:creator>Alice</dc:creator><pubDate>Sun, 22 May 2011 17:25:37 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/5/22/dorothea-tanning-born-august-25-1910.html</link><guid isPermaLink="false">348136:3696943:11540141</guid><description><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/17835_on_display_dorothea_tanning_exhibit.jpg?__SQUARESPACE_CACHEVERSION=1306085248683" alt="" /></span></span><br /><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/6a00d83454ed4169e20120a6932914970c-800wi.jpg?__SQUARESPACE_CACHEVERSION=1306085341410" alt="" /></span></span>&nbsp;</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-11540141.xml</wfw:commentRss></item><item><title>Davide Eron Salvadei - Mindscape 5</title><dc:creator>Alice</dc:creator><pubDate>Sun, 06 Feb 2011 16:47:28 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/2/6/davide-eron-salvadei-mindscape-5.html</link><guid isPermaLink="false">348136:3696943:10375330</guid><description><![CDATA[<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/28368-6938787-7.jpg?__SQUARESPACE_CACHEVERSION=1297011009392" alt="" /></span></span></p>
<p style="text-align: justify;">I found Davide Eron&nbsp;Salvadei on the Saatchi Online website.&nbsp; I think this picture takes you back to&nbsp;the innocence of childhood and&nbsp;also makes you think of the here and now in equal measures.&nbsp; Its innocent yet, not.</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-10375330.xml</wfw:commentRss></item><item><title>Erika Fortiner's Art - Dark, yet beautiful and uplifting. I'm Transfixed.</title><dc:creator>Alice</dc:creator><pubDate>Wed, 02 Feb 2011 17:46:53 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/2/2/erika-fortiners-art-dark-yet-beautiful-and-uplifting-im-tran.html</link><guid isPermaLink="false">348136:3696943:10332666</guid><description><![CDATA[<p style="text-align: justify;"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/70537-1594437-7.jpg?__SQUARESPACE_CACHEVERSION=1296669960023" alt="" /></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/70537-1594405-7.jpg?__SQUARESPACE_CACHEVERSION=1296669974059" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;<span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/70537-1594360-7.jpg?__SQUARESPACE_CACHEVERSION=1296669458349" alt="" /></span><span class="thumbnail-caption" style="width: 400px;">Hells Angels in Paradise</span></span>Erica&rsquo;s work is a contemplative language of process and experience. These elements range in setting but almost always include anatomy, urban ideas, sexuality, emotion, and chaotic structure. Each work is developed through predominately organic shapes using stream of consciousness, memories, and current events. Gestures can be softly or violently drawn, while more detailed forms and special attention to line are used to flatten yet 3-dimentionalize the image. These variations of dual intensity give her work a constant opposition of strength verses sensitivity. This composite can also be visible in the physicalmaterials of the work which include acrylic, airbrush, soft linens, and pours that have counter tactile qualities.&nbsp;<span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/70537-1594516-7.jpg?__SQUARESPACE_CACHEVERSION=1296669991128" alt="" /></span></span><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/70537-5508620-7.jpg?__SQUARESPACE_CACHEVERSION=1296670077392" alt="" /></span></span>&nbsp;</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-10332666.xml</wfw:commentRss></item><item><title>Ged Quinn - Conceptual, skilful, and beautifully composed.</title><dc:creator>Alice</dc:creator><pubDate>Sun, 23 Jan 2011 13:18:31 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/1/23/ged-quinn-conceptual-skilful-and-beautifully-composed.html</link><guid isPermaLink="false">348136:3696943:10183211</guid><description><![CDATA[<p><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/archive_1014_WilkinsonGallery-1.jpg?__SQUARESPACE_CACHEVERSION=1295788984218" alt="" /></span></p>
<p style="text-align: justify;">Ged Quinn&nbsp;specialises in <a title="Allegory" href="http://www.aliceboyle.co.uk/wiki/Allegory">allegorical</a> paintings that include contemporary images (generally on controversial topics in Western <a title="Cultural history" href="http://www.aliceboyle.co.uk/wiki/Cultural_history">cultural history</a>) in idyllic scenes based on <a title="Classicism" href="http://www.aliceboyle.co.uk/wiki/Classicism">classical</a> paintings such as the <a title="Pastoral" href="http://www.aliceboyle.co.uk/wiki/Pastoral#Pastoral_art">pastoral</a> works of <a title="Claude Lorrain" href="http://www.aliceboyle.co.uk/wiki/Claude_Lorrain">Claude Lorrain</a> and <a title="Caspar David Friedrich" href="http://www.aliceboyle.co.uk/wiki/Caspar_David_Friedrich">Caspar David Friedrich</a>&nbsp;&nbsp;</p>
<p style="text-align: justify;"><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/55668038_5955648f6d_z.jpg?__SQUARESPACE_CACHEVERSION=1295790177770" alt="" /><br />I saw an exhibition of Ged Quinn&rsquo;s work at the Wilkinson Gallery in 2008, titled &lsquo;My Great Unhappiness Gives Me A Right To Your Benevolence&rsquo;. Since then I see his work everywhere.&nbsp; &nbsp;His work stands out, in the fact that you can appreciate his painterly skills as well as his concepts without having to read pages and pages of text to understand it.&nbsp; They emanate a slightly sinister atmosphere but are also very inviting, making you want to understand them more deeply. &nbsp;For me, I have to be engaged with the picture at first sight to want to learn more.<br /><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/quinn.jpg?__SQUARESPACE_CACHEVERSION=1295791025682" alt="" /></span></span></p>
<p style="text-align: justify;">&nbsp;</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-10183211.xml</wfw:commentRss></item><item><title>Tea? - By Alice Boyle 2010</title><dc:creator>Alice</dc:creator><pubDate>Fri, 21 Jan 2011 15:08:45 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/1/21/tea-by-alice-boyle-2010.html</link><guid isPermaLink="false">348136:3696943:10160850</guid><description><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/aliceboyle_tea_small.jpg?__SQUARESPACE_CACHEVERSION=1295622554680" alt="" /></span></span></p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-10160850.xml</wfw:commentRss></item><item><title>Francesca Woodman - 'A Genuine Nut, the good Kind' 1958 -1981</title><dc:creator>Alice</dc:creator><pubDate>Fri, 21 Jan 2011 12:04:52 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2011/1/21/francesca-woodman-a-genuine-nut-the-good-kind-1958-1981.html</link><guid isPermaLink="false">348136:3696943:10159911</guid><description><![CDATA[<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/Francesca%20Woodman1.jpg?__SQUARESPACE_CACHEVERSION=1295612913485" alt="" /></span></span><br />I discovered Francesca Woodman about ten tears ago when about eight of her photographs were exhibited alongside many other artists at the Scottish national Gallery of Modern Art.&nbsp; I do not remember any other artist I saw that day.&nbsp; I recently visited the Victoria Miro Gallery, London, for an extensive exhibition of her photographs, which was fantastic.&nbsp; You always expect her photographs to be bigger than they are.&nbsp; Her photographs make you feel the textures and temperatures of the images; they ignite your senses, and make me want to create. &nbsp;She is a constant inspiration to many others and me.&nbsp; She died at the young age of 22, on January 19, 1981, she committed suicide by jumping out a loft window in New York.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/francesca%20woodman05.jpg?__SQUARESPACE_CACHEVERSION=1295612671510" alt="" /></span>&nbsp;&nbsp;</span></p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/1259151347_Francesca20Woodman20-20Untitled20Providence20Rhode20Island20197620P_057_WEB.jpg?__SQUARESPACE_CACHEVERSION=1295612719006" alt="" /></span></span>&nbsp;<span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/tumblr_l4bmm6i5iP1qa4lu1o1_400.jpg?__SQUARESPACE_CACHEVERSION=1295612809495" alt="" /></span></span></p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-10159911.xml</wfw:commentRss></item><item><title>Alice Neel - The Soyer Brothers - Whitechapel Gallery 2010</title><dc:creator>Alice</dc:creator><pubDate>Sat, 27 Nov 2010 16:49:17 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2010/11/27/alice-neel-the-soyer-brothers-whitechapel-gallery-2010.html</link><guid isPermaLink="false">348136:3696943:9579254</guid><description><![CDATA[<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/neel_soyers.jpg?__SQUARESPACE_CACHEVERSION=1290876843253" alt="" /></span></span></p>
<p style="text-align: justify;">This picture, I think was the best picture from Alice Neel&rsquo;s exhibition at The Whitechapel gallery in London 2010. &nbsp;It&rsquo;s a picture that made me want to rush home and paint a portrait. &nbsp;The more I looked at these two old men the more I imagined their characters and their relationship with each other. &nbsp;I really felt their minds working, as if they were judging me. &nbsp;I love it when art does this to you.&nbsp; My Blog is about only putting up these moments for me, so I can remember them for the rest of my life.</p>
<p style="text-align: justify;">Alice Neel's portrait of the Soyer brothers says it all. There they are, Raphael and Moses, venerable, venerated, the golden boys of Thirties' art and social realism in America. The portrait captures their myth perfectly. The two little old men sit like elves, as picturesque as an American tradition should be.</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-9579254.xml</wfw:commentRss></item><item><title>Zdzislaw Beksinski - A new discovery!</title><dc:creator>Alice</dc:creator><pubDate>Wed, 18 Aug 2010 15:34:19 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2010/8/18/zdzislaw-beksinski-a-new-discovery.html</link><guid isPermaLink="false">348136:3696943:8602680</guid><description><![CDATA[<p style="text-align: justify;"><strong><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/beksinski3.jpg?__SQUARESPACE_CACHEVERSION=1282146473521" alt="" /></span></span></strong></p>
<p style="text-align: justify;"><strong>Zdzisław Beksiński</strong> (<small>Polish pronunciation:&nbsp;</small><span class="IPA" title="Pronunciation in IPA"><a title="Wikipedia:IPA for Polish" href="http://www.aliceboyle.co.uk/wiki/Wikipedia:IPA_for_Polish">[ˈzd͡ʑiswaf bɛkˈɕiɲski]</a></span>; 24 February 1929 &ndash; 21 February 2005) was a renowned <a title="Poland" href="http://www.aliceboyle.co.uk/wiki/Poland">Polish</a> <a title="Painting" href="http://www.aliceboyle.co.uk/wiki/Painting">painter</a>, <a title="Photographer" href="http://www.aliceboyle.co.uk/wiki/Photographer">photographer</a>, and <a class="mw" title="Sculptor" href="http://www.aliceboyle.co.uk/wiki/Sculptor">sculptor</a> who is best known as a <a title="Fantasy art" href="http://www.aliceboyle.co.uk/wiki/Fantasy_art">fantasy artist</a>. Beksiński executed his paintings and drawings either in what he called a '<a title="Baroque" href="http://www.aliceboyle.co.uk/wiki/Baroque">Baroque</a>' or a '<a title="Gothic art" href="http://www.aliceboyle.co.uk/wiki/Gothic_art">Gothic</a>' manner. The first style is dominated by representation, with the best-known examples coming from his 'fantastic realism' period when he painted disturbing images of a <a class="mw" title="Surrealist" href="http://www.aliceboyle.co.uk/wiki/Surrealist">surrealistic</a>, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings. Beksiński was murdered in 2005.&nbsp;&nbsp;&nbsp;</p>
<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/Beksinski-76_14638.jpg?__SQUARESPACE_CACHEVERSION=1282145817160" alt="" /></span></span><br />&nbsp;<span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/zdzislaw_beksinski_1972_2.jpg?__SQUARESPACE_CACHEVERSION=1282145870553" alt="" /></span></span>People will always assume that people who created dark imagery must be mentally disturbed and unhappy. Although Beksiński's art was often grim, he himself was known to be a pleasant person who took enjoyment from conversation and had a keen sense of humor.&nbsp; I believe that people who are in tune with the darker elements of life and don&rsquo;t fear it are generally more at peace within themselves.</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-8602680.xml</wfw:commentRss></item><item><title>Francis Bacon - Study for the head of George Dyer 1967</title><dc:creator>Alice</dc:creator><pubDate>Tue, 08 Jun 2010 14:35:38 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2010/6/8/francis-bacon-study-for-the-head-of-george-dyer-1967.html</link><guid isPermaLink="false">348136:3696943:7900941</guid><description><![CDATA[<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><img src="http://aliceboyle.squarespace.com/storage/francis_bacon_portraits_and_heads.jpg?__SQUARESPACE_CACHEVERSION=1276008463319" alt="" /></span></span>Is this not the most beautiful brushwork you have ever seen?&nbsp; I don't think I have ever been so moved by a piece of art as when&nbsp;I saw this portrait.&nbsp; I love the choice of colours in the face and how Bacon creates a sense of movement within his portraits giving life to the image. Masterpiece!</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-7900941.xml</wfw:commentRss></item><item><title>http://www.inka-essenhigh.com/Inka Essenhigh - Green Goddess II - 2009</title><dc:creator>Alice</dc:creator><pubDate>Tue, 08 Jun 2010 11:49:18 +0000</pubDate><link>http://www.aliceboyle.co.uk/journal/2010/6/8/httpwwwinka-essenhighcominka-essenhigh-green-goddess-ii-2009.html</link><guid isPermaLink="false">348136:3696943:7899821</guid><description><![CDATA[<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><span><a href="http://aliceboyle.squarespace.com/display/admin/www.inkaessenhigh.com" target="_blank"><img style="width: 400px;" src="http://aliceboyle.squarespace.com/storage/IE-130.jpg?__SQUARESPACE_CACHEVERSION=1275999919615" alt="" /></a></span><span class="thumbnail-caption" style="width: 400px;">Click through to Inka Essenhigh's official website</span></span><br />Essenhigh's work attracted attention as one of a generation of young painters in New York in the late 1990s. Born In 1969, Pennsylvania, she now lives and works in New York.<br />I went to one of her exhibitions at the <a href="http://www.victoria-miro.com/" target="_blank">Victorio Miro Gallery</a> in April 2008 and was totally in awe of&nbsp;the combination of&nbsp;skill and&nbsp;imagination in her work.&nbsp; In my eyes she manages to create worlds and characters which&nbsp;aren't so surreal as to be believable.&nbsp; However&nbsp;I like to believe in fantasy worlds! Click on the link below to see some more of her work<br /><a href="http://www.victoria-miro.com/artists/_23/">http://www.victoria-miro.com/artists/_23/</a></p><p>Source: The official site of Inka Essenhigh (http://www.inka-essenhigh.com/)</p>]]></description><wfw:commentRss>http://www.aliceboyle.co.uk/journal/rss-comments-entry-7899821.xml</wfw:commentRss></item></channel></rss>
